Overview

KTT is an aggressive compressor that give your complete control!

KILL THE TOP (KTT)
Multiband Compressor
VST / VST3 / AU

kill the top

KTT is a 6-bands upwards/downwards compressor. Multiband compression divides the frequency spectrum into different bands to compress them individually. Upwards compression boosts the low-intensity dynamics while downwards compression reduces the high-intensity peaks.

Having more bands means having more control towards the audio spectrum while leaving the broadband headroom untouched. KTT also features a chained 12AX7 dual-triode exciter which helps to enrich the signal with harmonics synthesis on top of the compression.

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Normally $42.50

Tuned 808s
Arpeggiations
Bass
Bells
Brass
Choirs
Guitars
Hits
Pianos
Leads
Pads
Plucks
Strings
Vocal Shots

Tuned 808s
Arpeggiations
Bass
Bells
Brass
Choirs
Guitars
Hits
Pianos
Leads
Pads
Plucks
Strings
Vocal Shots

Overview

KTT is an aggressive compressor that give your complete control!

KILL THE TOP (KTT)
Multiband Compressor
VST / VST3 / AU

KTT is a 6-bands upwards/downwards compressor. Multiband compression divides the frequency spectrum into different bands to compress them individually. Upwards compression boosts the low-intensity dynamics while downwards compression reduces the high-intensity peaks.

Having more bands means having more control towards the audio spectrum while leaving the broadband headroom untouched. KTT also features a chained 12AX7 dual-triode exciter which helps to enrich the signal with harmonics synthesis on top of the compression.

Visit Product Page

Normally $42.50

Media

NO-BRAINER ALERT! AN INSANE VALUE FOR SUCH A NIFTY TOOL

key Features

  • The Dry Wet knob allows you to blend the original signal with the one at the end of the processing chain, while Out Gain controls the output volume.
  • Downwards and Upwards knobs are mapped to the compression ratios of the downwards and upwards parallel compression for every band. All of the ratios are tied differently to those two knobs, in order to preserve the characteristic sound of KTT.
  • Attack and Release control the speed of the feedback detection circuit. A high attack results in intense transients, and a high release brings a pumping effect to the sound.
  • The Analog switch allows you to choose between a digital RMS detection circuit and an analog diode/capacitor peak detector, in which the attack time gets slightly scaled by the release time.
  • The Exciter knob sets the amount of harmonic excitement that will be applied band-wise, in respect of the 12AX7 vacuum tube distortion.

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