Cinematic Production Toolkit by The Last Haven

As a composer or producer dedicated to scoring film, video games, or trailer music, you know that sound quality is only half the battle; workflow speed is critical for success, especially under deadline. The repetitive task of dragging and nudging samples to perfectly time a transitional effect can consume valuable production hours.

The Last Haven’s AIM and Attractor bundle is designed as a powerful production tool and resource of inspiration, providing both a vast collection of high-quality cinematic sound design elements and unique Kontakt features tailored to make timing and sound mangling instantaneous.

This comprehensive collection provides over 2,200 samples and more than 6.9 GB of contents.

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1. AIM: The Workflow Accelerator

The AIM library (303 WAV samples, 1.21 GB of contents) is focused on eliminating common editing frustrations while delivering a wide array of cinematic sound effects, including hits, whooshes, risers, pings, combos, downers, and unusual harmonic swells. Every sound is crafted to have a strong sonic identity, ranging from soft, soaring textural transitions to aggressive, earth-shaking booms.

AIM's primary functions are built to streamline your mixing and editing process:

• Effortless Hit Point Syncing: The core "AIM function" is a solution for aligning transitional samples. By enabling this feature and setting the desired time, the sample's “hit point” will sync precisely to your host tempo. This is super convenient for transition samples, completely removing the need for tedious dragging across the grid.
• One-Key Rhythmic Sound Design: If you need to create rhythmic stuttering or cutting effects, AIM offers the Interruption Key (marked yellow on the keyboard). Instead of setting up complex gate plugins, LFOs, or drawing automation lines in your DAW, you can use this key to instantly mute the sound when pressed and open it back up when released. This provides a more convenient way of working to create rhythmic passages out of long risers or whooshes. The function is also velocity sensitive.
• Smart Sample Management: AIM provides smart sound management tools. Producers can easily identify required samples by their names shown in the GUI. If you find a preferred sound, you can mark it as a favorite, and these selections are saved automatically without needing to re-save the patch. Samples are also helpfully labeled with their core tempo and tonality.
• Creative Sound Shaping: The library includes six basic effects like low pass and high pass filters, distortion, lo-fi, and bipolar stereo control. Additionally, you can stretch the last played sample across six octaves, allowing a single hit or ping to be used as a melodic instrument.

2. Attractor: The Sound Design Reservoir

Attractor serves as a comprehensive sound pack and powerful source of inspiration for producers working in cinematic and trailer music. It significantly expands the available sound palette with a massive content library:

• Vast Content: Attractor contains 1928 samples and 5.78 GB of contents.
• Multiple Categories: It provides all-new sound effects across numerous categories of tonal and atonal sound design. These categories include hits, whooshes, drops, bends, alarms, pulses, and specialized tonal elements.
• Maximum Flexibility: To ensure the best usability, Attractor includes not only the Kontakt instruments but also the uncompressed WAV samples. This means producers can choose to use the sounds within Kontakt or drag-and-drop the files directly into their DAW.

The Bottom Line: Acquire These Essential Tools Before This Limited Time Offer Ends!

This bundle delivers both the diverse sounds needed for high-stakes media production and the crucial specialized workflow features that accelerate your timeline.

Technical Requirements: Both AIM and Attractor require the full version of Kontakt 5.8.0+.